Entertainment

Kids and teens

Apple TV+ offers the second adaptation of “Presumed Innocent,” a best-selling legal thriller from the late 1980s, the ultimate “airport novel” that had everyone talking.

Paramount+ streams the two-part docuseries “How Music Got Free.” Method Man narrates. Eminem and LeBron James are executive producers.

Now streaming on Netflix, the true-crime documentary “How to Rob a Bank” recalls an outlaw legend. While the title sounds like a how-to instructional film, it features a larger- and stranger-than-life character who bedeviled financial institutions and the police in the Pacific Northwest during the 1990s.

Can a network become the victim of its own success? Long known for its “women-in-peril” movies, the Lifetime network has seen the formula escape the laboratory and spread throughout the broadcast and streaming world, sparking endless docuseries about wives and mothers stalked by creeps next door, random strangers and even the furtive monsters they married.

A comedy that defies description, “Fantasmas” streams on Max. It follows creator, writer and star Julio Torres through a torrent of events that unfold with the logic of dreams and hallucinations. A loose description involves a search for a lost earring, but that’s like saying “Alice in Wonderland” is about following a rabbit down a hole.

The History Channel observes the 80th anniversary of the Normandy invasion with the two-part documentary feature “D-Day: The Unheard Tapes” (8 p.m. and 10:05, TV-PG). This special combines cinematic reenactments, documentary footage and audiotaped interviews with soldiers who recall their experiences as Allied forces stormed the beaches and faced German machine-gunfire.

Kids and teens

Normally, when a movie’s or series’ plot synopsis contains the words “paid assassin,” my attention begins to wander. I’m just not that into hit men. So shoot me.

Blending sports and soap operas can be tricky. The audience for athletics sticks to games, while fans of melodrama can’t abide jock culture. This was certainly true of “Friday Night Lights,” a beautifully done and elegiac NBC series about Texas football culture that wowed critics and attracted few viewers. The HBO series “Winning Time” managed to generate comedy, mainly because of its effervescent star, John C. Reilly.